Download PDF Downtown Pop Underground: New York City and the literary punks, renegade artists, DIY filmmakers, mad playwrights, and rock Â’nÂ’ roll glitter queens who revolutionized culture
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Downtown Pop Underground: New York City and the literary punks, renegade artists, DIY filmmakers, mad playwrights, and rock Â’nÂ’ roll glitter queens who revolutionized culture
Download PDF Downtown Pop Underground: New York City and the literary punks, renegade artists, DIY filmmakers, mad playwrights, and rock Â’nÂ’ roll glitter queens who revolutionized culture
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Review
“McLeod’s deft and generous book tells of a constellation of avant-garde squatters, divas, and dissidents who reinvented the world—a story which comes to seem more improbable the more meticulously he records it. Through a panoply of witnessing voices, he channels a recent past so familiar we risk taking it for granted.” (Jonathan Lethem author of The Fortress of Solitude)“Downtown New York in the latter half of twentieth century was so much more than a Warhol print and a CBGB-OMFUG T-shirt. McLeod tracked down more than 100 denizens of that freaky bohemian milieu to tell the stories most people don’t know. The Downtown Pop Underground breathes new fire into a familiar history and is a must-read for anyone who wants to know how American bohemia really happened.” (Ann Powers critic, NPR Music)“The Downtown Pop Underground honors those who were at the forefront of a movement that transformed our understandings of sexuality and artistic freedom.” (Lily Tomlin)“I love this book. It’s filled with insight about a very important group of artists making blueprints for the avant-garde. They were so far ahead of the mainstream curve that they created new shapes out of the curve, revealing cracks in the yoke of custom and convention. McLeod has done us all a favor by focusing on the lives of these fabulous futurists and oddball observers who looked at life and showed us that reality is absurdity dressed in a three-piece suit.” (Jane Wagner author of The Search for Signs of Intelligent Life in the Universe)“Kembrew McLeod manages a Herculean task: mapping the vast spider web of intersecting trajectories in pre-careerist downtown New York. He makes it plain how much of the action occurred in theater, and how much of the culture we owe to gay men and women.” (Luc Sante author of Low Life and The Other Paris)“The Downtown Pop Underground tells the story of underground artists of the 1960s and ’70s, an amalgam of bustling radical creativity and fearless groundbreaking work in art, music, and theater . . . Having walked these streets as a child, I can attest to the visceral accuracy of the book's portrayal of a time when artists affected a true change in the way that we view our culture and ourselves.” (Tim Robbins)"An important addition to the cultural history of New York and America." (Booklist (Starred))“The author covers plenty of ground smoothly and organically, immersing readers in this exciting period.” (Library Journal)“This is a fascinating look at a long-gone New York City art scene.” (Publishers Weekly)
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About the Author
Kembrew McLeod is an award-winning author of several books whose writing has been featured in the New York Times, Los Angeles Times, Washington Post, Rolling Stone, Slate, and Salon. A professor of communication studies at the University of Iowa, he is the recipient of a recent NEH Public Scholar fellowship to support this project.
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Product details
Hardcover: 368 pages
Publisher: Harry N. Abrams (October 23, 2018)
Language: English
ISBN-10: 1419732528
ISBN-13: 978-1419732522
Product Dimensions:
6.4 x 1.2 x 9.4 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#362,781 in Books (See Top 100 in Books)
This book is about eight people who were drawn to lower Manhattan during the 1960s, re-inventing themselves as artists and sparking a revolution in music, theater and art that influenced the world. Among the eight are the well-known like Andy Warhol and Patti Smith but equally interesting are the lives of the lesser known who had just as much impact on the era. I especially enjoyed the story of Ellen Stewart who founded the now-famous Cafe LaMama theater, and of Hibiscus (think Flower Power and glitter bombed gender-bending musicals) —now that’s entertainment!
Fascinating chronicle of a people and time the likes of which won’t be seen again. Discovered many things I didn’t know even though I grew up in and around the area and drifted through the periphery of the scene as a teenager. One of those books that you’re sad to have end.
Fifty years later, we are beginning to have some perspective on the extraordinary eruption of creativity in lower Manhattan in the late 1960s and early 1970s, which transformed all the arts and echoes to this day. Kembrew McLeod interviewed a wide range of survivors of the scene, sussing out the generative interconnections and delivering a richly nuanced view of the highs and lows that made everybody so excited. His appreciative, insightful survey sweeps up a fresh, generous bounty of "downtown" arts and artists and catches the unique twisted brilliance of the time. Illustrated with many surprising photographs, the tale begins with the outrageous "camps" of dramatist H. M. Koutoukas on the original Off-Off-Broadway stages—Caffè Cino in the heart of Greenwich Village, La Mama in the East Village, and Judson Memorial Church on Washington Square—and winds up a decade later with Debbie Harry at CBGB. McLeod's other key figures are Andy Warhol, filmmaker Shirley Clarke, Patti Smith, poet-publisher Ed Sanders, Ellen Stewart of La Mama, and Hibiscus, but just about everyone makes an appearance in these pages. It is, sadly, an inexorable tale of innocence lost, as the idealistic opening of the psychedelic sixties gives way to the ironic, harsher realism of the punk seventies. McLeod gets it. You will not find a truer picture of this vital, troubled time.
The Downtown Pop Underground is a delicately crafted history of the interstices between the major cultural and artistic movements of the last half of the 20th century. Within those spaces reside the most important makers of contemporary culture, some are household names (Andy Warhol, Debbie Harry) and others are less familiar (Shirley Clarke, Ellen Stewart) but their influence has been profound and irrefutable. Kembrew McLeod brings them all to life and paints a vivid portrait of Downtown New York City in the 60’s and 70’s in a compelling and fascinating narrative. Music, art, film, theater and performance fans of all stripes take note -- this is a must read (and hard to put down).
Not since the New Journalism of Tom Wolfe has anyone been so in tune with the culture/counter-culture of the sixties. Kembrew McLeod seems to have interviewed everyone who has survived the era, read everything written about it, and listened to everything recorded. His exquisite talent recounts it all in a relaxed, almost conversational tone, and an incredible time is lovingly depicted on a grand canvas. When I first opened the book, I didn’t come up for air for two hours. It’s that good.
If you want to get inside the world of avant-garde theatre, pop art, and punk rock of NYC's wild & woolly 60s-'70s, this is the definitive tome to get! I was there and even I am learning from McLeod's enormous research into the characters, clubs, basement theatres, happenings, and the political-cultural framework of the times. Don't miss this one!
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