Saturday, August 6, 2011

Ebook Free , by Sonia Moore

Ebook Free , by Sonia Moore

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, by Sonia Moore

, by Sonia Moore


, by Sonia Moore


Ebook Free , by Sonia Moore

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, by Sonia Moore

Product details

File Size: 586 KB

Print Length: 110 pages

Publisher: Penguin Books; Revised, Reprint edition (October 2, 1984)

Publication Date: October 2, 1984

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00AFWYG30

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Amazon Best Sellers Rank:

#248,600 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This was a book I bought to go with an Anton Chekhov play collection for a an acting class. It is a good book, but due to previous experience some of the information was not new to me. For a total novice without any foundation, you will find this book helpful as a starting point. It is a small book and is easy to follow. I recommend this book for new aspiring actors to get their feet wet in the foundations of acting.

Sonia Moore is a well-kept secret within the acting world. She didn’t make a lot of noise within the industry, but she, in fact, was the ONLY student of Stanislavsky that come over to the west to teach (apart from Boleslavski who was everybody’s teacher Strasberg, Adler, Meissen, Lewis, Crawford, etc.).It ABSOLUTELY belongs in the shelf of any serious actor.RIP, Sonia Moore

A fantastic book that contains a condensed version of Stanislavski's most familiar works: "An Actor Prepares," "Building a Character" and "Creating a Role." This information is well worth the price. Aspiring actors should pick up a copy.

This is the book I started with when really learning acting rather than going to it by "feel," rather than craft. Sonia Moore's text, though older now, is still as relevant as when first published. It breaks down the "System" - and oft maligned approach to acting - and demystifies it, giving it flesh and bone that all actors must be when they are on stage or film: human: all too human.

Nice short book. Good exercises to do. Only think I wish it had a overall lay how to breakdown a scene and embody a character.

I've already read stanislovskis books and I they are a bjt difficult to get to. I'm more of an inside to outside actress and I thought perhaps this book would have more INsight to stanislovskis work. It feels more like an intellectual regergatation. One that would be better for acting teachers as they observe their students problems more than the students who are trying to learn how to be more specific and make the script truly come alive. But that's my opinion others tend to like this.

deep and insightful

Good

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