Tuesday, October 11, 2016

Free Ebook Stanley Kubrick and Me: Thirty Years at His Side

Free Ebook Stanley Kubrick and Me: Thirty Years at His Side

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Stanley Kubrick and Me: Thirty Years at His Side

Stanley Kubrick and Me: Thirty Years at His Side


Stanley Kubrick and Me: Thirty Years at His Side


Free Ebook Stanley Kubrick and Me: Thirty Years at His Side

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Stanley Kubrick and Me: Thirty Years at His Side

Product details

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Audible Audiobook

Listening Length: 11 hours and 54 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Audible Studios

Audible.com Release Date: July 29, 2016

Whispersync for Voice: Ready

Language: English, English

ASIN: B01J859E4U

Amazon Best Sellers Rank:

If you are interested in Stanley Kubrick, buy this book. It's that simple.As other reviewers have noted, this is not a book about film making. Emilio D'Alessandro was effectively Kubrick's personal assistant for thirty years. An Italian ex-racing driver (!), he freely admits he knows nothing about film, and, indeed, had never viewed even a single Kubrick film from beginning to end until after having worked with the man on a daily basis for decades. (Also, one very tiny quibble: the photos in the book are mostly small and rather fuzzily reproduced.)What this is, really, is a joint biography of two families, the D'Alessandros and the Kubricks. Sensitively written (with the participation of Filippo Ulivieri) the book transports you into Kubrick's working household, and a portrait of the great director built up through a thousand details of daily life and casual interactions between the director and others. There are no boardroom power meetings here, and no premiers, There is just the man. Workaholic, driven, and hugely intelligent, yes. But also anxious, kind, decent, and someone who enjoyed being constantly with his family (including a herd of beloved pets). Stanley Kubrick pulled off the near miracle of turning epic film-making into a home business. Emilio D'Alessandro was with Stanley Kubrick right up to the director's death in 1999, and it is perhaps the highest tribute to this affecting account, that by the time you reach that event you will feel every bit of the emotional desolation it caused to those who had truly known him.

I've always admired Kubrick as an artist. This is the first time I could (start to) understand him as Stanley, a human. This is a magnificent book for anyone interested in the personality of genius, cinema, Stanley's films, or a sincere and heartfelt memoir. My only complaint is the very best - I wish for more. Having read almost every book on the man, this is my favorite and the most essential.

This compelling, fascinating, beautifully written memoir paints a richly detailed portrait of Stanley Kubrick, a uniquely brilliant artist and a deeply complex human being. A mass of contradictions and, at times, jaw-dropping eccentricity, Kubrick comes to life as never before in this intimate account by Emelio D'allesandro, his trusted personal assistant and friend for 30 years. And though at times I wondered how Emelio could have dealt with all that was asked and expected of him by Kubrick without having a nervous breakdown or physical collapse (something which ultimately does nearly happen), I also found myself surprisingly moved to tears by the affection and respect these two men held for each other as so beautifully expressed in this one-of-a-kind, minutely observed book. If you're a fan of Kubrick's films and want to know more about the day to day life of the man behind them, then this is the book for you!

I have dozens of books on Kubrick.This is by far my favorite.Unlike other books, written by theorists, film students, and archivists, Emilio's book doesn't study Kubrick, it reveals him - as a human being.No other book has given us such an intimate look behind the veil that is "Stanley Kubrick." We see him not as an autocratic genius, but as a gifted human being who is obsessed with every nuance of his life... from his typewriter collection to his cats.Emilio sums it up in one simple sentence: "I love Stanley Kubrick." And it is quite clear that Stanley loved him.You'll never look at Stanley Kubrick the same way again.

5 Stars, without question. From biographies to academic analyses of his films, I have read every book on Stanley Kubrick. However, this one is a true diamond in the rough as it is a touching personal document of loyalty and friendship that brings readers into Kubrick's personal sphere more than any book so far. So many books serve to perpetuate the myth behind the man; a brooding, reclusive, obsessive-compulsive control freak. And though in many ways this book reinforces those notions, what makes this book so special is that it gives us context through real life, behind-the-scenes and private moment anecdotes which end up softening the myths. Emilio was an essential cog to the Kubrick machine. A trustworthy friend and ally who Kubrick relied on for his ingenuity, strong work ethic, and frankness. Their bond was so unique and special and this book articulates that bond so well.This book is beautiful and indispensable. There is no dirt, no juicy gossip. Just a 30 year journey between two friends. I couldn't put it down.

My headline isn't referring to Kubrick, it refers instead to Emilio D'Alessandro, the guy who was the only assistant Kubrick completely trusted for the last 20 years or so of his life. Kubrick couldn't handle the unpredictability and messiness of the world outside his door, so D'Alessandro took care of that and a whole lot more for the legendary director. The author is careful to keep certain things about Kubrick confidential - and yet, you probably will learn more about the reclusive filmmaker here than anywhere else. Ultimately, a kind of love story that's absorbing, informative and very touching towards the end.

An unexpected gem. Not a "film book" for those seeking to understand Kubrick's films better, but a highly personal and often very emotional memoir by the man who worked closely with Kubrick on the daily business of running a big life and bigger productions longer than anyone else. From "A Clockwork Orange" in 1971 through "Eyes Wide Shut" to Kubrick's final days, Mr. D'Alessandro was at or near Kubrick's side, and it is clear that his friend's passing in 1999 left him bereft. Kubrick was, of course, an endlessly complex man, and this book, more than any other I've read, offers a clear-eyed look at the day-to-day form taken by that complexity. If you love Kubrick's films, you owe Mr. D'Alessandro a debt, as his quiet facilitation of Kubrick's life, his home, and his production methods made the films possible.

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